Interactive Theatre: Drama as Social Intervention
Keywords:
Interactive Theatre, social changeAbstract
In the book Performing Communities, Bill Rauch, Artistic Director of US-based Cornerstone Theater Company, is quoted as saying:You cannot predict what art changes. You’re naïve if you think you know you’re going to change the world with the art you create. It’s equally naïve and irresponsible even to acknowledge that art changes the world …
(Leonard and Kilkelly, 2006, p. 72)
Although I do not argue the impossibly extreme position that art1 can ‘change the world’ I disagree with the basic tenet behind Rauch’s comment. As a theatre-maker who for many years has created dramatic experience which has the express intention of bringing about change, I am convinced that, when shaped, targeted and delivered in particular ways, theatre and other forms of drama excite change. In order to achieve this, the dramatic intervention must consist of artistic output of the highest quality embedded in relevant pedagogic, sociological and dramatic approaches. The trick is to balance efficacy with artistic merit.
This article examines the theoretical underpinnings for this kind of drama and theatre and provides examples of this work in action.
Downloads
Published
Issue
Section
License
Music and Arts in Action makes every effort to ensure the accuracy of all the information contained in its publications, but all editors and reviewers make no warranties as to the accuracy, completeness or suitability for any purpose of the content. The authors are responsible for the accuracy of the content presented in their work. Any views expressed in this publication are the views of the authors and are not the views of MAiA editors or affiliates.
Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Requests to reprint material published in MAiA should be made to the individual authors.
By virtue of their appearance in this Open Access Journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. All citations should include the author's name; year of publication; MAiA title, volume and issue number; page numbers; and weblink to http://musicandartsinaction.net
Contents published from Volume 5 (2) (2016) onwards are licensed under a Creative Commons CC BY-NC-ND 4.0 licence (Attribution-NonCommercial-NoDerivatives) https://creativecommons.org/licenses/by-nc-nd/4.0/