Table of Contents
Editorial
| Editorial | |
| MAiA Editorial Team | 1-2 |
Articles
| Music and Migration: A Transnational Approach | |
| Nadia Kiwan, Ulrike Hanna Meinhof | 3-20 |
| Singing a New Song? Transnational Migration, Methodological Nationalism and Cosmopolitan Perspectives | |
| Nina Glick Schiller, Ulrike Hanna Meinhof | 21-39 |
| Salsa/Bhangra: Transnational Rhythm Cultures in Comparative Perspective | |
| Ananya Jahanara Kabir | 40-55 |
| "6/8 rhythm" Meets "lova-tsofina": Experiencing Malagasy Music | |
| Jenny Fuhr | 56-76 |
| Music of the Multiethnic Minority: A Postnational Perspective | |
| Jan Sverre Knudsen | 77-91 |
| Transnational Ties and Local Involvement: North African Musicians In and Beyond London | |
| Marie-Pierre Gibert | 92-115 |
| Representing an "Authentic Ethnic Identity": Experiences of Sub-Saharan African Musicians in an Eastern German City | |
| Inken Carstensen-Egwuom | 116-135 |
| Understanding Dislocal Urban Subcultures: The Example of the Hardcore Scene, from Tokyo and Beyond | |
| Alain Mueller | 136-147 |
| When Migration Ends, When Music Ceases | |
| Philip Vilas Bohlman | 148-166 |
© Music and Arts in Action | ISSN 1754-7105 | MAiA - Music and Arts in Action, Department of Sociology & Philosophy, The University of Exeter, Amory Building, Rennes Drive, Exeter EX4 4RJ, UK