Introduction: Transgressing and Reworking Social Boundaries Through Dance and Music
Abstract
In this introduction article, we present the origins of this Special Issue publication and set out the analytical themes underpinning it. The articles in this collection all focus on music and dance in and from the Global South. The central analytical theme connecting the contributions is that of boundaries and the role of dance and music in transgressing and reworking sets of boundaries. This refers to the boundaries of methodological conventions, the boundaries that are often drawn between what are deemed private and public spheres, the role of gender in relation to boundaries as well the spatial dimension of transgressing and reworking boundaries - including the emplaced aspects of dance and music.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Roy Huijsmans and Katarzyna Grabska

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Music and Arts in Action makes every effort to ensure the accuracy of all the information contained in its publications, but all editors and reviewers make no warranties as to the accuracy, completeness or suitability for any purpose of the content. The authors are responsible for the accuracy of the content presented in their work. Any views expressed in this publication are the views of the authors and are not the views of MAiA editors or affiliates.
Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Requests to reprint material published in MAiA should be made to the individual authors.
By virtue of their appearance in this Open Access Journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. All citations should include the author's name; year of publication; MAiA title, volume and issue number; page numbers; and weblink to http://musicandartsinaction.net
Contents published from Volume 5 (2) (2016) onwards are licensed under a Creative Commons CC BY-NC-ND 4.0 licence (Attribution-NonCommercial-NoDerivatives) https://creativecommons.org/licenses/by-nc-nd/4.0/