Belonging is Sharing is Belonging is Including
Abstract
This conversation with Nikos Ziaziaris and Chrysi Kyratsou discusses the contributions comprising this Thematic Issue on ‘Music Education among Refugee and Migrant Youths: Sharing, Belonging, Including’. Availing of the unique perspectives that experience in performance, music teaching to migrant youths, and research in music education among migrant youths offer,this interview concludes the discussion developed throughout the contributions of this TI. It foregrounds the conditions under which music education can have a transformative role for the lives of refugee and migrant youths (as well as the teachers and co facilitators involved in this process). Furthermore, it argues for the integral interconnection between belonging, sharing and including, explaining how each concept serves as pre-requirement for facilitating an inclusive music lesson. The interview further reflects on the conditions in which in-group music learning -and making- can amplify processes of including, senses of belonging, and practices of sharing. At the core of this process is the music educator, as a meticulous and respectful listener; committed to tackling learning barriers and navigating any challenges as a facilitator of the learning experience.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Chrysi Kyratsou

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Music and Arts in Action makes every effort to ensure the accuracy of all the information contained in its publications, but all editors and reviewers make no warranties as to the accuracy, completeness or suitability for any purpose of the content. The authors are responsible for the accuracy of the content presented in their work. Any views expressed in this publication are the views of the authors and are not the views of MAiA editors or affiliates.
Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. Requests to reprint material published in MAiA should be made to the individual authors.
By virtue of their appearance in this Open Access Journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. All citations should include the author's name; year of publication; MAiA title, volume and issue number; page numbers; and weblink to http://musicandartsinaction.net
Contents published from Volume 5 (2) (2016) onwards are licensed under a Creative Commons CC BY-NC-ND 4.0 licence (Attribution-NonCommercial-NoDerivatives) https://creativecommons.org/licenses/by-nc-nd/4.0/ 